The Tulsa troubadour describes his transition from hardcore music to folk, how to put on a compelling live show solo, and staying inspired even when the creative process is painful.
The "Music Modernization Act", which has enormous consequences for how songwriters and copyright holders will be compensated for streaming music, passed the US House of Reps unanimously but is now hamstrung in the Senate due to an eleventh hour change by SESAC. Both sides of the argument are presented on this episode, and then our resident expert Brendan Anthony from the Texas Music Office calls in to help explain the situation as it stands now.
MC Taylor is the songwriter behind this Durham-based outfit. He talks about finding his writing voice over the course of several different projects, working with a long-time collaborator, and developing less encumbered music listening habits. Also, watch out for the surprise cameo by Phil Cook.
One of Nashville's favorite daughters, by way of Jacksonville Texas, discusses arriving for writing appointments with children in tow, finding song inspiration in everyday conversation, and dealing with the success of an international crossover hit.
Dave Simonett, songwriter and founding member of the Minnesota bluegrass powerhouse TBT, talks about the mania of touring in your 20s, keeping a band together through the power of respect, and techniques he uses to keep himself inspired.
The screenwriter, essayist, and former A&R man speaks about changing careers with a young family, the need to protect a fledgling project from outside influence, and the discipline of creating.
The Colorado wordsmith remembers stuffing the cardboard sleeves of his first demo himself, putting off school on a lark to tour with Kelly Joe Phelps, and the joy of sharing the journey with his longtime band.
As a staff writer for EMI, a member of The Civil Wars, and now the owner of his own independent label, he’s seen a lot. John Paul White stops by to share his wisdom on creativity and performance. Plus, Brendan Anthony- the head of the Texas Music Office- stops by at the start of the show to discuss the finer points of the Music Modernization Act that is before Congress.
Brandon Flowers discusses a meteoric rise to prominence in his early 20s, the feeling of responsibility that he's developed toward music, and writing songs on the dodgy upright piano in his house instead of the baby grand in his studio.
The Ohio native discusses her passion for classic country, capturing the vitality of live performance on a record, and her habit of constantly collecting material for writing.
This lyric-driven Bluegrass outfit discusses the perils of booking their own shows, signing with Yep Roc, and the art of arranging a band around great songs.
The hardcore troubadour talks about his early days in Nashville as a staff writer, empathy as the essential goal of the songwriter, and gratitude for the job he loves.
The troubadour from Idaho discusses getting his break in Ireland, early years of van touring in the States, and writing on an empty stomach.
The creative force behind The Autumn Defense and a longtime member of Wilco discusses growing up in a musical household, playing punk bars in the American south, and locking himself in the studio to get a song finished.
Born and raised in Austin Texas, Alejandro Rose-Garcia is an internationally celebrated songwriter and performer. He sits down to discuss his upbringing in a theatrical household, learning to record on a shoestring, and walking away from a budding film career to dedicate himself to music.
The frontman for Delta Spirit and now a formidable solo artist talks about playing music in the church, pulling a full "Tony Clifton" at the Casbah in San Diego, and how fatherhood has informed his latest album.
The Texas songwriter and bandleader discusses dropping out of high school to play music, his passion for idiosyncrasy when it comes to band members, and his regimented writing process.
Erika Wennerstrom, the creative force behind Heartless Bastards, discusses growing up in Dayton Ohio, signing to Fat Possum Records, and her techniques for bringing a song to life.
The Seattle-based songwriter talks about holding down dead-end jobs to continue playing music, the myth of the flighty artist, and the process for composing his upcoming album.
Timothy Showalter, the leader of this Philadelphia psych-rock-folk project, sits down to talk about growing up in small-town Indiana, how the radio shaped his sound, and learning how to maintain a private and public persona.
The southern California native reflects on her prolific career in bluegrass and beyond, with groups such as Nickel Creek, I'm With Her, and The Watkins Family Hour.
The leader of this chamber folk group, Justin Ringle, talks about learning to love Spotify, touring for the first time, and how he uses the studio to augment his writing process.
The force behind American Aquarium, BJ Barham, discusses growing up in Lucky Strike's company town, being accepted by the Texas Red Dirt community, and how to keep a band on the road for a decade.
The Queen of Australian Country Music discusses her childhood in the outback, a Lucinda Williams concert that changed her life, and the tipping point of composing a song.
The laid-back writer of modern country gems such "Beaumont", "Chances Are" and, of course, "She Left Me For Jesus" joins the show to talk about sitting at the feet of Guy Clark, picking up merch from Beyonce's dad, and steering the direction of his career with his own hands.